Tuesday, October 20, 2020

He'd Hang His Mother to Get Elected

 The film His Girl Friday is all fun and games -- but there is some sharp social satire at the same time.  Major social institutions such as journalism, politics and marriage are skewered with clever lines and absurd situations.  What is the film telling us about at least one of these institutions (if you want to write about marriage and divorce see the the companion post)? Is it corrupt or crooked? Under siege?  What, exactly, is the problem or critique?

Is Friday Feminist -- Or Feeble-Minded?

 Hildy Johnson is a confident career woman who can compete with men (and defeat them) in the dog-eat-dog world of journalism. She is even willing to divorce her man if he doesn't treat her right. Yet, at the same time, she seeks the domestic joys of children and caring for her man -- and in the end returns to the rascal whom she left in the first place. What is the role of women in this film? Does it tell us anything about "modern" women in 1940's America?

Marriage -- And Divorce -- His Girl Style

 His Girl Friday charts the marriage and divorce and remarriage of Walter and Hildy and the engagement -- and near marriage -- of Hildy and Bruce. Hildy says she wants domestic bliss in suburban Albany but she chucks it to remarry Walter and relaunch her career. Can someone balance career and marriage? Who is the best kind of spouse?  Is happiness possible in marriage?   What is this film saying about that state of marriage -- or love --  in the modern world?

Tuesday, October 6, 2020

A Little Bird Told Me . . .

 The gossip of the members of his community about his demotion, rather than the demotion itself, is the direct cause of the doorman's downfall in The Last Laugh.  Some of the most expressive images in the film demonstrate the spread of gossip and the resultant mockery of the neighbors: the camera moves to an outstretched ear, the camera follows the doorman along a walk of shame, grotesque and blurry heads superimposed on the neighborhood mock him with unabashed laughter.  What is the movie saying about gossip as a form of communication?  What is it saying about the community that listens to it?  How does what other people think of us influence how we think of ourselves?

Shiny, Happy People

 The concluding scene of The Last Laugh depicts the incredible gluttony and generosity of the unnamed, demoted doorman after he miraculously inherits a fortune from a dying American millionaire. He feasts on mounds of food, eating caviar as if it were candy and drinking champagne as if it were water. A tracking shot of the "spread" emphasizes the opulence and indulgence of our hero. What is the point of this ending? Is is a happy ending or a parody of a happy ending? Is this supposed to be objective reality or a fantasy? Is this a cynical commercial ploy or is there deeper significance to the ending?

Tragedy of the Common Man?

 When the unnamed doorman in The Last Laugh is demoted to bathroom attendant, his world collapses. At the end of the film he is estranged from his family, fellow workers and neighbors and only the night watchman gives him succor. Is this film a tragedy in the Aristotelian sense (that is, does he fall because of some tragic character flaw?)? Is it an indictment of the society of the time? A study of the inevitable effects of aging? Or, to put the point another way, whose fault is the doorman's downfall?

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